Photo courtesy Tadema Gallery, London
Ms. Karlin is the author of Jewelry and Metalwork in the Arts & Crafts Tradition, the definitive book on the jewelry of the Arts & Crafts Movement circa 1900, and the catalog International Art Jewelry 1895-1925.She is also the co-author of Imperishable Beauty: Art Nouveau Jewelry. She is a well-known lecturer and writes for a number of publications as well as the executive editor of Adornment Magazine.
Her curating credits include: Jewelers
of the Hudson Valley and International
Art Jewelry, 1895-1925, The Forbes Galleries, New York City; Finer Things:
Jewelry and Accessories from the 1880s-1930s, Stan Hywet House & Gardens, Akron, OH.
She curated Out of this World! Jewelry in the Space Age at The Forbes Galleries, NYC which traveled to the Carnegie Museum of Natural History. She curated Maker and Muse: Women and Early 20th Century Art Jewelry which was at the Richard H. Driehaus Museum in Chicago.
Yvonne J. Markowitz was a research fellow in the Egyptian section, Art of the Ancient World, Museum of Fine Arts, Boston for many years. In 2006 she was appointed the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry. The first curatorship of its kind in America, Ms. Markowitz oversaw the museum's exceptional collection of jewelry. She retired as curator emerita in 2015. She is also an Adornment editor.
She has published extensively in the areas of ancient and contemporary jewelry, she is the author of Artful Adornments: Jewelry from the Museum of Fine Arts, Boston; is co-author of Imperishable Beauty: Art Nouveau Jewelry; co-editor of American Luxury: Jewelry from the House of Tiffany, and a contributor to Jewelry by Artists, In the Studio: 1940-2000.
The exhibition she curated at the Museum of Fine Arts, Boston, Gold and Gods: Jewelry of Ancient Nubia, will run through early 2017.
Together Ms. Karlin and Ms. Markowitz have authored a number of articles on jewelry history and are currently collaborating on a book about jewelry of the American First Ladies.
Ms. Karlin and Ms. Markowitz are co-directors of The Annual Conference on Jewelry & Related Arts.
ASJRA’s Advisory Board
Ulysses Grant Dietz is the Chief Curator and Curator of Decorative Arts at the Newark Museum (NJ) where he has been on staff for 36 years. He is a noted author and a popular lecturer. In addition to publishing scholarly works he has also authored several works of fiction. Ulysses is a graduate of Yale University and received his master's degree in material culture from the University of Delaware's Winterthur Program. He has curated over 100 exhibitions covering all aspects of the decorative arts.
Emily Banis Stoehrer, Ph.D.is the Rita J. Kaplan and Susan B. Kaplan Curator of Jewelry at the Museum of Fine Arts, Boston. She received her Ph.D. at Salve Regina University and has a master's degree from the Fashion Institute of Technology (FIT). Stoehrer has written several books on fashion and jewelry and lectured at numerous institutions, including the Museum of Fine Arts, Boston, the University of Rhode Island, the University of Rouen, and Colonial Williamsburg. Her work has appeared in Art Jewelry Forum, Exhale Lifestyle Magazine, and Adornment: The Magazine of Jewelry and Related Arts. Her first exhibition as curator at the Museum of Fine Arts, Boston opens in 2017.
Janet Zapata is a noted jewelry historian and freelance curator. She was Tiffany & Co.'s first archivist and has worked as a consultant to Christie's auction house, the Newark Museum, and the Louis C. Tiffany Museum in Nagoya, Japan. She has also lectured in the graduate program at the Cooper-Hewitt Museum in New York City and contributed a large number of articles for various publications on the subjects of American jewelry and silver. Zapata is the author of many books on 19th and 20th century jewelry design.
Robert Liu, Ph.D. is editor of Ornament Magazine, Robert Kung Shan Liu was born in Rome and immigrated to the US from China after World War II with his family. Trained as an ethologist and ichthyologist, Dr. Liu received his Ph.D. from UCLA where he worked on experimental gerontology and immunology in the Department of Pathology, School of Medicine until 1975. He was the founder of the magazine The Bead Journal and with his wife, Carolyn L.E. Benesh, have published and co-edited its successor, Ornament, since 1978. Self-trained as a jeweler and photographer, he has written extensively on ancient, ethnic and contemporary personal adornment.
Jan Yager is an artist and mixed-media jeweler. She received a BFA from Western Michigan University and an MFA from the Rhode Island School of Design. Her work is known for its close observation of nature, reference to colonial history, and use of contemporary objects. Her work has been recognized with numerous awards including a Pew Fellowship in the Arts and a solo show at the Victoria and Albert Museum. Her work is part of the permanent collection of the Renwick Gallery (SI), the Philadelphia Museum of Art, and Museum of Fine Arts, Boston.
Jeannine Falino is a curator, writer, administrator, and educator, with strengths in an array of American art and museum-based activities. Her specialties are in decorative arts, contemporary craft and design including jewelry. She is a frequent contributor and editor of museum publications. She is also a noted lecturer.
Barbara Berk After receiving a Master's Degree in Russian History and spending 15 years in magazine publishing Barbara's interest in antique jewelry led to studies in gemology and bench techniques. She founded Barbara Berk Designs in 1992 to create her signature handwoven metal artwork. She has received an American Gem Trade Association Spectrum Award, an Award for Excellence in Design from the Women's Jewelry Association, and a Saul Bell Design Award for jewelry design. Her work is in the permanent collections of the Museum of Fine Arts, Boston and the Gemological Institute of America (Carlsbad, CA).
Susan B. Kaplan is a philanthropist and collector. As part of the Rita J. and Stanley H. Kaplan Foundation's board, she was the force behind the first jewelry curatorship in the United States at the Museum of Fine Arts, Boston and the creation of a permanent jewelry gallery at the MFA.
Mary Lee Hu is an American artist, goldsmith, and educator known for using textile techniques to create intricate woven wire jewelry. She joined University of Washington School of Art in 1980 and retired from the as professor emeritus in 2006.She was inducted into the American Craft Council College of Fellows and has received three National Endowment of the Arts Craftsman Fellowships. Her work is in major collections such as the Victoria and Albert Museum, the Renwick Gallery, the Museum of Arts & Design Museum and the Art Institute of Chicago.
Ioanna Lalaouinis is the director of the Ilias Lalaounis Jewelry Museum in Athens, Greece and the daughter of famed jeweler Ilias Lalaounis.
The Museum acts as an international center for decorative and traditional arts and crafts, with an emphasis on goldsmithing and contemporary studio jewelry. In its twenty years of operation, the ILJM has organized over 80 temporary exhibitions with decorative arts from Museum and private collections. Ionna has authored numerous exhibition publications and sponsored special cultural projects at the museum.
Jody Sataloff is the daughter of Dr. and Mrs. Joseph Sataloff. The late Dr. Sataloff and Ruth Sataloff built a major collection of jewelry with a specialization in Art Nouveau jewelry. Jody has continued their interest in the collection and collecting. They also established the first educational program in jewelry studies in the United States--the influential summer course held annually in Orno, Maine. An attorney and the former owner of the Racket and Fitness Center, she is currently the founding president of the Maine Jewish Museum in Portland, ME.
Raquel Alonso-Perez, Ph.D. is on the curator of Harvard University's Mineralogical & Geological Museum, which consists of more than 100,000 mineral samples representing approximately 2,250 species from a broad range of localities. She received her Ph.D. in 2007 from the Swiss Federal Institute of Technology (ETH) in Zurich for her thesis entitled: The Role of Garnet in the Evolution of Hydrous, Calc-alkaline Magmas, an Experimental Study at 0.8 - 1.5 GPa. Her main research interests are continental crust formation processes and trace elements distribution in ore deposits.
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